{"id":172,"date":"2020-06-09T22:06:21","date_gmt":"2020-06-09T22:06:21","guid":{"rendered":"https:\/\/rafaelprado.com\/?p=172"},"modified":"2021-03-27T01:12:35","modified_gmt":"2021-03-27T01:12:35","slug":"teclas-negras","status":"publish","type":"post","link":"https:\/\/rafaelprado.com\/?p=172","title":{"rendered":"TECLAS NEGRAS"},"content":{"rendered":"\n<p class=\"has-text-align-justify\">F. Chopin. Estudio Op. 10 n.\u00ba 5 en sol bemol mayor. Tambi\u00e9n conocido como Teclas negras, es una pieza para piano solo compuesta por Chopin en 1830. Esta pieza es caracter\u00edstica por los arpegios de la mano derecha, que toca casi exclusivamente teclas negras, a excepci\u00f3n del comp\u00e1s n\u00famero 66, en el que Chopin escribi\u00f3 un fa natural, la \u00fanica tecla blanca para la mano derecha en toda la pieza. El hecho de tocar s\u00f3lo las teclas negras es el que da el sobrenombre al estudio. La mano izquierda, por su parte, se ocupa de la melod\u00eda, sobre todo con acordes y octavas, mientras la mano derecha hace el acompa\u00f1amiento con los r\u00e1pidos tresillos en las teclas negras.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"audiotheme-embed\"><iframe loading=\"lazy\" title=\"Estudio n\u00ba5 op.10 Fr\u00e9d\u00e9ric Chopin\" width=\"720\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/GRhDAAr3iMQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>F. Chopin. Estudio Op. 10 n.\u00ba 5 en sol bemol mayor. Tambi\u00e9n conocido como Teclas negras, es una pieza para piano solo compuesta por Chopin en 1830. Esta pieza es caracter\u00edstica por los arpegios de la mano derecha, que toca casi exclusivamente teclas negras, a excepci\u00f3n del comp\u00e1s n\u00famero 66, en el que Chopin escribi\u00f3 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-172","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/rafaelprado.com\/index.php?rest_route=\/wp\/v2\/posts\/172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelprado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelprado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelprado.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelprado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=172"}],"version-history":[{"count":2,"href":"https:\/\/rafaelprado.com\/index.php?rest_route=\/wp\/v2\/posts\/172\/revisions"}],"predecessor-version":[{"id":359,"href":"https:\/\/rafaelprado.com\/index.php?rest_route=\/wp\/v2\/posts\/172\/revisions\/359"}],"wp:attachment":[{"href":"https:\/\/rafaelprado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelprado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelprado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}